The Milos collection, designed by Jean-Marie Massaud, redefines the design experience in contemporary spaces. It features new textured planters with a stucco texture, true works of art that capture the essence of innovation and Mediterranean tradition.
Made of polyethylene, these planters represent a real aesthetic and functional revolution in outdoor and indoor decoration. They are the first to feature a stuccoed texture, carefully designed to reproduce the finesse and charm of traditional ceramics.
A stuccoed texture that adds a handcrafted touch
The most striking aspect of the Milos planters is undoubtedly their stucco texture. Designed to reproduce handmade ceramics, this texture not only gives each piece a unique character, but also contributes to an incomparable tactile sensation that makes them appear to be made of a different, more traditional material.
This characteristic makes them the perfect complement for modern spaces as well as for more rustic or classic atmospheres.
Versatility of sizes and finishes
Available in six different sizes, Milos textured planters adapt to any space and need. The three large sizes versions (38 cm, 67 cm and 115 cm high) are ideal for making stylistic statement in large spaces.
While the three nano sizes (8 cm, 15 cm and 28 cm high) are perfect for use as props on the tables of the Milos collection.
In addition, with 15 different finishes, Milos offers decorative flexibility that allows you to fully personalize any environment.
Jean-Marie Massaud inspired by Mediterranean nature
The Milos collection is the result of a fruitful collaboration with the renowned French designer Jean-Marie Massaud, who was inspired by nature to create a line that combines simplicity and functionality. The choice of materials and textures reflects a deep respect and understanding of the natural environment, something that Massaud has perfectly integrated into each piece of this collection.
‘For this new collaboration with Vondom, I wanted to evoke the original identity of this brand born between the sea and the mountains in València’
— Jean-Marie Massaud —
