Teresa Sapey’s ADAN contemporary Collection for Vondom is an extraordinary creation that exudes a lot of personality with its diamond-shaped facets. These versatile pieces go beyond just being contemporary planters; they can also be used as seats, flower pots, or even side tables. More than just objects, they are multifunctional architectural pieces that add a touch of glamour to any setting and blend seamlessly with any style. Designed with materials that can be used both indoors and outdoors, these pieces are perfect for enhancing your lifestyle.
Collection Products
Discover the new version of the Adan design planters
Our iconic design planters, created by Teresa Sapey, have undergone a makeover with the new version called Adan Glossy. Using the polycarbonate injection technique, we have incorporated new finishes with vibrant colors and transparency. The Adan Nano has been transformed into a magical piece with its geometry combined with translucent colors and light, creating an aura of transparencies and reflections that shine on their own.
In addition, the increased capacity and weight of the design provide greater stability, making it a reliable asset for decorating a variety of spaces. Adan serves as a versatile item that can be used as a vase, flower pot, organizer, book holder, or simply as a decorative element. Available in jewel-like transparent colors such as crystal, amber, sapphire, and smoked, as well as in opaque white.
Create your own paradise!
The most atractive man i met in my life.
- Teresa Sapey -
Designer
Teresa Sapey
Studio Teresa Sapey is an architecture and design studio based in Madrid since it was founded in 1990. The team is driving by curiosity and energy. In fact, the range of fields approached by this practice is extremely wide: It varies from spaces to displays via furniture, graphics and editorial work. The projects are not only born from feelings, but they are also able to transmit these same feelings, but their clients and customers. “By working with spaces my aim is to be touching and therefore render emotions palpable: Three-dimensional, even four-dimensional. No matter the feelings is, as far as it is a feeling, I would go for it! I believe that architecture should interpret, build and transmit these inspiringly and usefully”
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