Chrismy, the creation of visionary Teresa Sapey and designed exclusively for Vondom, represents a paradigm shift in the concept of the modern Christmas tree. Seamlessly blending elements of nature with the principles of contemporary design, it transcends the boundaries of traditional decor with organic and elegant shapes that rise to the top in each of its silhouettes. This synthesis of organic inspiration and avant-garde design makes Chrismy a captivating focal point in any space.
Collection Products
A new Christmas Tree conception
Chrismy is a modern reinterpretation of a timeless classic, designed to blend seamlessly into a variety of environments. Its versatile nature allows for effortless adaptation, making it an easy addition to any setting. Illuminated from within, Chrismy envelops its surroundings in a mesmerizing aura, creating a truly immersive atmosphere that transcends physical boundaries. Whether adorning a cozy living room or enhancing an expansive outdoor setting, its luminous presence adds a touch of enchantment to any space it graces.
Made from polyethylene resin using rotational molding techniques, Chrismy features a rugged double-wall construction that ensures durability and longevity. This innovative choice of material not only embodies sustainability by being 100% recyclable, but also speaks to a commitment to eco-conscious design. Available in a range of sizes, Chrismy’s versatility extends to both outdoor and indoor settings.
Its logical continuation results in pure visual magic.
Designer
Teresa Sapey
Studio Teresa Sapey is an architecture and design studio based in Madrid since it was founded in 1990. The team is driving by curiosity and energy. In fact, the range of fields approached by this practice is extremely wide: It varies from spaces to displays via furniture, graphics and editorial work. The projects are not only born from feelings, but they are also able to transmit these same feelings, but their clients and customers. “By working with spaces my aim is to be touching and therefore render emotions palpable: Three-dimensional, even four-dimensional. No matter the feelings is, as far as it is a feeling, I would go for it! I believe that architecture should interpret, build and transmit these inspiringly and usefully”
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