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Adan

by Teresa Sapey

With the Adan collection, Teresa Sapey proposes a reinterpretation of design as a living, changing art. Inspired by the fascinating geometry of a diamond, Adan displays a robust and playful personality that seduces both indoors and outdoors. More than just a decorative object, each piece is a reflection of character and magnetism, evoking the essence of an art that is felt and transforms the environment at every angle.

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Adan, infinite possibilities in a single piece

Adan is much more than a planter or a sculpture; it is an essential, multi-faceted piece that comes to life according to the needs of the space. Adan finds its place and purpose, exuding style and functionality in every facet. The collection invites you to explore new design possibilities in a range of timeless finishes, and adds a touch of boldness that only Vondom design can offer.

Maceteros de diseño Adan Glossy | Vondom

A faceted design that conquers the light

Adan’s faceted shapes unfold like a functional work of art, creating a spectacle of light and reflections in any space. With a Glossy version that radiates sparkles in crystal, amber, sapphire and fumé, this collection takes centre stage. This designer planter turns every sparkle into a whisper of playful sophistication, where the polycarbonate injected material gives it a shimmer that fascinates and envelops.

The most atractive man i met in my life.

- Teresa Sapey -

Adan collection Vondom

Designer

Teresa Sapey

Teresa Sapey

Studio Teresa Sapey is an architecture and design studio based in Madrid since it was founded in 1990. The team’s guiding force streams from curiosity and energy. In fact, the range of fields approached by this practice is extremely broad: It varies from spaces to displays via furniture, graphics and editorial works. Projects not only stem from feelings, but they are also capable of transmitting these same emotions to their clients and customers. “By working with spaces my aim is to be touching and therefore render emotions palpable: Three-dimensional, even four-dimensional. No matter the feelings is, as far as it is a feeling, I would go for it! I believe that architecture should interpret, build and transmit these inspiringly and usefully”

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